G.K. Chesterton and the Psychology Behind Fairy Tales

What is the psychology behind fairy tales? G.K. Chesterton’s ability to turn ordinary things into extraordinary things is extraordinary.

“For those who think that dandelions are only a nuisance, let us point out that they possess the pure gold of a fairy tale.” G.K. Chesterton

I watched a video once about him years ago where he was challenged to find something poetic about a mailbox. In minutes, he came up with an ode to the mailbox as one of the most magical objects in the universe.

When you stand in front of that slot holding your letter, you suddenly realize that you are entrusting your whole life to that “thing” and when you let go, there is no going back. Mailbox is the ultimate symbol of letting go and letting God.

Dandelions are a symbol too. Or rather the ultimate test of whether we can find the extraordinary in the ordinary.

“Through mere complexity of the earth, we may no longer see the dandelions; yet they have all the point of the stars, with none of their terrible distance.”

Modern life is complex; dandelions are simple. Modern life distracts us from appreciating simplicity. Dandelions test our ability to remember the stars in heaven.

In Genesis 4:17, the first thing Cain did after killing his brother Abel was build a city. Why would he even come up with such a strange idea? There were no cities before. Apparently, he instinctively sought protection from “those who might kill him.” Also, he was afraid of becoming “a fugitive and wonderer,” so he built a place that accumulates people.

Apparently, the city served two purposes — by accumulating many people in one place, you make life complicated. Complexity allows you to not notice simple things — like dandelions. Cain didn’t want to see simple things because they reminded him of the stars of heaven. You don’t see many stars in the city. You are too distracted to look up — or down.

In Russian, the word for “city” (город) is etymologically connected to the verb “to insulate oneself” (отгородиться). The city allows you to insulate yourself from everyone else even though you are literally among thousands. You have the illusion of being around people, but in reality, you are protected from them all. That’s why the cities exterminate dandelions — they are too simple and remind people of the stars.

They remind us of the pure gold of a fairy tale. Fairy tales are simple, and they rarely take place in the city (unless it’s an enchanted city). Fairy tales usually call us out of the city and lead us into forests, meadows, dales, and mountains. The function of a fairy tale is simple — return us to the original simplicity. Only original simplicity is powerful enough to re-enchant those who have been disenchanted.

What is the psychology behind fairy tales?

The doors to Narnia are many. In fact, they are everywhere. We don’t see them because our lives are too complicated. We weed the fairy tale out just like we weed out dandelions. However, the fairy tale still grows wherever it can find a patch of land. It can’t be exterminated. It is stubborn like all weeds.

Its function is simple — to re-enchant us back from the barren place of self-isolation and into the enchanted woods where everything is a door into the enchanted land. We need those “tremendous trifles” — like dandelions — to remind us that there’s nothing ordinary, and everything is, ultimately, a living symbol ushering us into an invisible Kingdom.

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Why is the Frame Important According to G.K. Chesterton?

Why is the frame important? Believe it or not, the most important thing in an artwork is the frame. Without the frame, it looks incomplete and undefined. However, if you have the right frame for it, it acquires some completeness — almost by magic. The frame allows the inherent beauty of a thing to come out.

If you take a few dry leaves and put them in an appropriate frame, you will get a herbarium. The frame limits the scope of your possibilities, and yet it reveals beauty. Beauty is revealed in and through limitations. Every piece of literature that has endured through centuries frames the hero’s adventures in some limitations.

The limitations allow the beauty to shine. Les Miserables, The Lord of the Rings, The Shack, The Brothers Karamazov, the Gospels — the more limitations the hero has the more this silent question arises in our minds, “Will he go through it beautifully or not?”

We know how our own limitations make us feel. We know they present obstacles to how much we can do. We wish them away. We wish we weren’t limited — or at least, less limited. We think without limitations, we will walk through life more beautifully. We won’t. We may get through life, but it won’t be a piece of art.

For a life to be a piece of art, limitations must exist. The question is not, “What will I do to get rid of these limitations? The question is, “What will I do within these limitations to reveal beauty?” The frame gives us the impetus to transcend our limitations without getting rid of them.

Of course, we can get rid of some of our limitations (thankfully). However, there will always be some that will stay. They are the frame within which we have the opportunity to rise above the frame. The frame is here to lead us out of our limitations. A framed piece of art doesn’t look limited. It looks boundless.

G.K. Chesterton once sprained his foot and used the opportunity to write an ode to his healthy leg. He reflects on the poetic pleasures of standing on one leg and appreciates the strength and beauty of his healthy leg. He points out that the isolation of one leg, similar to a single tower or tree, allows for a deeper appreciation of life. In conclusion, he says that to truly value something, we must realize the possibility of its loss​.

“The way to love anything is to realise that it might be lost.”

And:

“An adventure is only an inconvenience rightly considered. An inconvenience is only an adventure wrongly considered.”

We are all artists drawing our lives within the constraints of our frame. What will I do with my limitations today? I can either bemoan them or try to rise above them. They can be either an obstacle or a beauty revealer. The question is, “Will I walk through this beautifully today?”