Uncategorized Archives - Rest and Trust

November 11, 2023November 16, 2023

Rene Girard on How to End Violence in the World

Is it possible to end violence in the world?

In our day and age, violence is legitimized and sacralized – as it’s always been. Nations rise and declare war on each other on the grounds that seem perfectly justifiable.

Since times immemorial, people have believed in sacred violence because there seems to be no other way to set things right when you have been wronged. If a member of another tribe kills someone you love, it is impossible to replace this person by finding an equivalent. There is no equivalent.

How do you then compensate for the loss? How do you appease the wrath? What do you do with the pain? What sacrifice is sufficient to restore peace in your soul?

The usual reasoning goes like this: I must make the offending party pay with something they hold dear. They must sacrifice someone they love. It can’t be just anyone. It should be someone pure and perfect, a holy sacrifice. A king, a maid, or a child. There is a strong mythology developed around the sacred victim because it seems to be the only workable solution.

“The victim becomes sacred and the process of sacralization remains a fundamental structure of all archaic religion.” Rene Girard

When the sacrifice is made (usually by violence), peace is restored. Wrath seems to be appeased. Or is it? In any case, it seems to work for a time – at least, it dulls the pain well enough.

What is the theory of Rene Girard?

Rene Girard, a French historian, literary critic, and philosopher, said that people have only two ways of dealing with violence in this world. One is to look for a scapegoat. The other one is to become a scapegoat – willingly.

The first way is pagan. All pagan religions sooner or later come up with the idea of a scapegoat – someone who will bear the guilt of all.

The second one was epitomized by Christ – an innocent scapegoat who willingly takes upon himself the guilt of all the transgressions.

Rene Girard says,

“Christianity must be the religion of the end of sacrifice, because it says that there is only one victim, who is God.”

Pain always pushes us to look for a scapegoat. Until our pain is healed, we will need a sacrifice to appease our own anger. We will lash out. We will demand a sacrifice. We are hurting, so we need to hurt. We can’t just leave it like this. So, we will ALWAYS find a scapegoat – someone who will pay the price.

The trouble with this approach is that it DOES NOT heal the pain that caused the violence in the first place – it only dulls it for a while. By lashing out against our chosen scapegoat, we feel a temporary relief from our pain but the root of it remains. We will be relieved for a while until something else or someone else triggers our pain again.

September 1, 2023November 22, 2023

What is a Name According to the Inklings? A Label or a Portal into Being?

What is a name according to the Inklings?

When Frodo stabs a Ringwraith at Weathertop with his sword and cries out in Elvish, “O Elbereth Gilthoniel!” he doesn’t know what he is doing. Later, Aragorn explains what happened at that moment,

More deadly to him [the Witch-king] was the name of Elbereth.

But why is the name of Elbereth (Varda) so deadly to the Witch-king? Isn’t it just a sound?

It turns out, it’s not. In our divided consciousness, we tend to separate the name from its bearer. We do so subconsciously because modern consciousness perceives everything in fragments. We think that the name is merely a sound, and the thing it denotes is a physical object that exists separately from its name. But that’s not what we find in the Inklings.

In Tolkien’s legendarium, the Elvish languages seem to represent the one proper language, or “language as it should be.” It is the primal proto-language not yet divided by the curse of Babel. It proceeds from the consciousness that perceives the world as a Whole, and in it, words are always one with what they name. In fact, words contain what they name as in a “house.”

The German philosopher Martin Heidegger spoke of words as “the house of being,” not labels or tags on things. He said,

For words and language are not wrappings in which things are packed for the commerce of those who write and speak. It is in words and language that things first come into being and are.

So, what is a name according to the Inklings? It is a portal that ushers the invocator into the invisible realm concealed behind the sound.

For the Inklings, the name and the named are one. The named one is IN the name. The Lord of the Rings was written from a different consciousness than ours as Tolkien himself seems to indicate – it was the consciousness of participation, not separation. Tolkien said,

I have long ceased to invent… I wait till I seem to know what really happened. Or till it writes itself.

For a participated consciousness, there is no difference between the name of a thing and the thing itself. The thing exists in its name. That’s why words always effect what they name. The name is not a denotation; it’s an invocation. That’s why Elbereth was really there at Frodo’s call. There is no other explanation for Frodo’s survival – if Varda wasn’t there, Frodo would have been consumed by the Darkness. But she was there fully present in her name.

April 26, 2023June 5, 2023

The Effect of the “Distant Forest” in J.R.R. Tolkien’s Leaf by Niggle – Whispers Amplified by Imagination

As I got off the phone with an old friend this morning, I couldn’t shake the feeling of being under some spell.

He had shared a video with me from 12 years ago when we were much younger, my daughter was 10, and my son was 6.

We had a picnic around a fire, cooking hotdogs, chatting, and enjoying a warm summer evening in Siberia.

As I watched my daughter’s cute chubby face chewing on the hotdog and my son’s frantic hopping and jumping over the fire, I teared up.

“This is Paradise,” I thought. “Why didn’t I see it then?”

“Paradise,” echoed my friend on the other side of the conversation.

“Hmm…,” I thought to myself after I hung up. “Why is it that we tend to see an experience as ordinary when we are in the middle of it? And when there’s some distance between us – whether it’s time or geography – it transforms into something else.

Why didn’t I see all that before? It was an ordinary evening. Yes, I enjoyed it very much, but now I almost see it as a doorway into some inexplicable magic. A picture of another world.

Is my memory playing a trick on me, so am I imagining something that wasn’t there?

Or maybe it’s the other way around – my memory shows me something that was there, but I was too close to it to see it for what it is.

“You can’t recognize a person’s face when you are too close to it,” said the Russian poet Sergey Esenin.

But how do I know that my memory is not deceiving me?

Owen Barfield said in his poem The Tower:

But many times, the secret-breathing world
Whispers to thee, yet whispers with a voice
Which memory shall warehouse as a shout.

This world is breathing secrets, but we often don’t hear its whispers until something amplifies them for us into a shout.

Our memory is that shout that amplifies the whispers that we didn’t hear.

But what are those secrets that we tend to overlook because we are too close to reality to recognize its face?

March 28, 2023November 4, 2023

The Magic of Lothlórien – How Tolkien Used Vertical Speech to Allure us into the Silence Around Words

The magic of Lothlórien in The Lord of the Rings is a fine example of how the Inklings use the power of vertical speech.

Quoting Max Picard from The Worlds of Silence, Peter Kreeft said that in modern writing, words have lost their vertical static quality:

The architecture of the Hebrew language is vertical. Each word sinks down vertically, column-wise, into the sentence. In language today we have lost the static quality of the ancient tongues. The sentence has become dynamic; every word in every sentence speeds on quickly to the next … each word comes more from the preceding word than from the silence and moves on more to the next word in front of it than to the silence.

In modern writing, words are used primarily as communication tools. People use words to get their message across. This type of speech is message-driven, not meaning-driven.

You look for words just to move the reader along as quickly as possible from one word to the next horizontally. Words are whips to get the reader going.

The Inklings use words vertically, not horizontally.

For them, each word is alive. Each word speaks through a particular sound shape – and needs to be heard.

When you “hear” the word’s speech, the curtain of the world is drawn for a second or two and you see… what the words dimly point to.

The Inklings use words to allure the reader to the silence around the words – not to get the message across. As Treebeard said:

You must understand, young Hobbit, it takes a long time to say anything in Old Entish. And we never say anything unless it is worth taking a long time to say.

To use words vertically means to find words that make the reader spellbound for a second or two. Preferably longer.

The right words are inspired by Mercury himself – they descend from heaven like fire and become “proper names” in the mouth of the herald.

Like a piercing line of poetry, they make you stop breathing the air of the world and plunge into a meditative reverie as you breathe in the fragrance from beyond the walls of the world.

Tolkien’s description of the magic of Lothlórien is a case in point.

How does Tolkien describe Lothlórien?

Just like Tom Bombadil, Lothlórien could easily have been left out of the plot. Linearly speaking, nothing “happened” there except that the fellowship felt the magic of Lothlórien and got some rest.

Technically, the chapter about Lothlórien is just as extraneous as the chapter on Tom Bombadil.

But it’s a fine example of vertical speech that introduces the reader to the perilous realm of Faerie.

The effect of entering the realm of the Lady is such that all the company feels the presence of some inexplicable magic.

For some, it is a delight. For some, it is torment.

Tolkien seems to suggest that the whole land was Galadriel’s mirror – not just the stone mirror itself. As the fellowship walked through the enchanted wood, they saw their secret thoughts and desires revealed as if in a mirror.

Some liked it; some hated it. But they couldn’t hide from it.

They stepped into a land of the Last Judgement unfolding 24/7.

June 21, 2022September 30, 2023

What Led Anakin To The Dark Side – Can “Good” Lead to Evil?

Like any true myth, the story about Anakin Skywalker turning to the dark side is compelling in its overwhelming persuasiveness. What led Anakin to the dark side?

C.S. Lewis once wrote in a letter to Peter Milward that a good myth is

“a story out of which varying meanings will grow for different readers and in different ages.”

And then he added that a myth is not really dependent on the words in which it is told or the art form in which it is conveyed. It’s not the narrative itself that makes the myth convincing but something much more elusive.

“The narrative is more of a net whereby we catch something else.”

What led Anakin to the dark side?

What I caught in the net of the Star Wars myth is HOW Anakin was led to the dark side — it happened, oddly enough, through his inordinate desire for something good.

As a young boy he swore a solemn oath at his mother’s grave: “When I grow up, I will become strong and will never let my loved ones suffer and die.”

This oath marked his transition to the dark side long before it happened in chronological time. At that moment, a bargain was struck in his soul for the possession of a loved one in exchange for breaking God’s law.

At that moment, he made a decision for himself to never ever part with his loved ones again, no matter the cost. The perfectly good desire — to protect his loved ones from death — turned in him into a demonic possession when he put it on a pedestal.

As Tim Keller said, an idol is a good thing turned into the ultimate thing.

An idol is usually a good thing that we make ultimate. We say, “Unless I have that, I am nothing.”

Why did Anakin choke Padme?

When Anakin had to choose between losing Padme — fearing that she might die in childbirth — or turning to evil to “save” her from death, he chose evil. It was his desire to “save” her at all costs that led Anakin to the dark side. For him, the dark side became a means of saving his loved one. He chose evil to achieve what he thought was the ultimate good.

Ironically, this led to Padme’s death. He choke the one he wanted to save with his own hands. When we turn a good thing into the ultimate thing and try to get it at all costs, we lose that good thing — destroy it with our own hands.

Such is the harsh logic of idolatry. We are captivated by some version of good and turn it into the “summum bonum” — without noticing it. And then everything becomes a means to an end, a sacrifice offered on the altar of this god.

A wise man once said that a myth is something everyone knows without being told. This “story” lives in humanity’s collective unconscious, and we all instantly recognize it once it is put in the form of a narrative.

February 5, 2021November 26, 2023

The Power of an Empty Mind – The Wisdom of Meister Eckhart

“The soul does not grow by addition but by subtraction.”
Meister Eckhart

I was looking at the lampshade that I was designing as part of my business. I liked the way it turned out. And yet, something made me doubt whether it was ready to go to the client. I couldn’t tell exactly what it was.

Was it the shape? The size?

Straining my mind for an answer, I suddenly felt some unease growing in me. I knew very well what it meant. It usually means that I am frustrated with how things are going and want quick results.

Chuang Tzu, an ancient Chinese philosopher, told a parable of an archer who “needed to win.” At first, he was shooting just for fun and seldom missed.

When he was offered a reward, a brass buckle, he became nervous. Then, he was offered a prize of gold and went blind – started seeing two targets.

His skill didn’t change, but the prize divided him. He cared more about winning than shooting. The need to win drained him of power.

I also knew what my mind was doing. It was set on winning. On results. Not on the fun of designing. My unease made me blind – I couldn’t see what was lacking in the lampshade.

I stopped and took a breath. I needed a break. “The soul does not grow by addition but by subtraction,” the famous quote crossed my mind.

It felt counterintuitive – I had a deadline to meet. The project was due the next day. Just thinking about it gave me more anxiety. I was desperately grasping for control.

Sitting down in a chair by the window, I turned away from the lampshade. Do I really need to get it done today? What if I let it go and stay inactive for a while? The thought sent shivers down my spine. I could lose the client if I didn’t ship it on time.

But there was something else behind it all that I feared even more. Deep down in my heart, there was a little perfectionist who couldn’t bear the thought of not meeting someone’s expectations.

It was my self-image, my EGO, I was holding on to. It was my ego that made me so uneasy. I knew I needed to let go. I will stop striving for results and will trust my creative instincts.

Taking the leap of faith, I finished the last of my coffee and stepped out for a bike ride.

For the rest of the day, I was watching my mind intently – it would shoot back to the lampshade again and again. But, after some time of silence, it slowly loosened its grip.

I sat by the window, watching the kids play with a plastic bag that they inflated like a balloon. My wife was busy in the kitchen making pancakes! And then, finally, my mind was empty. For a while, I wasn’t thinking about anything in particular.

Noticing the smells, the rustling of the plastic bag, the laughter of the boys, I was becoming increasingly aware of what was going on around me. And there was peace, undisturbed by any thinking.

The next morning, I walked into the room and looked at the lampshade. And suddenly – bang! I got it. It struck me like lightning. It was a simple solution that only an empty mind could produce.

I added one piece to the shade and immediately knew in my heart that it was it. There was no doubt. Because it came out of emptiness. There was no ME in it.

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