What is True Literacy?

What is true literacy? For the ancients, writing was never something abstract; it was always tangible — engraved in living matter like bark, wood, clay, or stone.

They saw writings in the very phenomena of the world. The idea of using letters to record thought arose from observing the writings already “engraved” in creation. All things are letters — messages inscribed by the divine hand. They contain invisible script.

Interestingly, the word book is etymologically rooted in the Proto-Germanic bōk, which in turn derives from the Proto-Indo-European bhāg(ó) or bhōg, which means beech tree.

In essence, a book is a tree. Why such an association? Is it because the first writing tablets in Europe were made from thin slices of beechwood? Or it is because the ancients intuited a spiritual kinship between the book and the tree?

When you see a message etched into matter, you begin to associate the matter with the message — the visible with the invisible, the word with the wood that bears it.

The entire concept of literacy was born from reading the “letters” written upon every part of the universe. You see divine letters in a beech tree, and the letters become the beech tree.

The Russian word for beech tree (бук) sounds like the English “book.” The etymology of this word is, surprisingly, similar to the English book.

Moreover, the Russian word for letter — буква — is etymologically related to бук, the beech tree. Letters, writings, and books are all trees. And books, like trees, have leaves — leaves that tell our story.

In Tolkien’s Leaf by Niggle, Niggle the painter spent his life working on a single leaf. That leaf was the story of his life; it embodied his life. Little did he know that somewhere there was a Tree — and his leaf was part of it. The story of his life literally rustled in the leaves of an invisible Tree. One day, beyond death, Niggle finally saw it — his Tree.

While he worked on his leaf — his story — that story was quietly becoming a Tree. Every brushstroke, every hesitation, every inspiration was mysteriously linked to the leaves of his own Tree — the Book of His Life. We all have such Trees — our stories whispering in the unseen forest of heaven. Whether written in a book or not, the leaves of our lives already rustle on an invisible Tree that we shall one day behold.

To live in the world means to walk upon letters. Letters are everywhere, whether we notice them or not. Every stone bears its Ten Commandments — whether we can read them or not. Every beech tree is etched with the message of the Ultimate Mystery. It cries: “Under me!”

In The Silver Chair, Jill and Eustace came to a wall of rock where, cut in great letters, were the words UNDER ME. It was a sign — a message of Aslan clad in stone — calling them, as every letter of the world still calls us, to look beneath the surface and find that which lives under the visible.

As the Apostle Paul said to the Corinthians:

“You yourselves are our letter, written on our hearts, known and read by everyone.” — 2 Corinthians 3:2-3

We are letters. We are walking books — and walking trees. We embody a message. We are beech trees etched with divine inscriptions. Our leaves tell a story — our story. Our stories wave and rustle in the wind of the Spirit, who keeps writing His tale upon us.

When we look into one another’s eyes, we are reading — and being read. People are books, and books are trees. In every gaze, we hear the whispering leaves of the Book of Life.

Scripture and Nature are not two separate revelations; they are one. Nature is Scripture written in living matter. Just look underneath — and you will see a book of divine letters unfolding before our eyes, where every tree, every face, every breath becomes divine Speech.

He looked up and said, “I see people; they look like trees walking around.” — Mark 8:24

What is the Problem with Ideologies?

What is the problem with ideologies? Alexey Losev, an early 20th-century Russian philosopher, philologist, and culturologist, was one of the few Orthodox intellectuals who openly criticized Marxism as a modern myth — and managed to survive Stalin’s era without being executed. He was arrested in 1930 and sentenced to ten years of hard labor at the Belomor Canal camp.

In The Dialectics of Myth, Losev exposed the glaring inconsistency in the Bolsheviks’ view of myth and religion. They mocked ancient mythological and religious consciousness as primitive, yet relied heavily on mythological and religious symbols for their own purposes.

To advance their rhetoric in the 1920s, they referred to the counter-revolution as the many-headed Hydra. They called themselves Promethean heroes bringing enlightenment — science, progress, industry — to the masses, in defiance of “divine” or bourgeois authority.

In monumental Soviet art, giant workers, farmers, and soldiers embodied the Titans, while Tsarism, religion, and Western powers were personified as the “dragon.” Lenin’s Mausoleum, too, drew inspiration from ancient monumental tomb architecture, particularly the Egyptian pyramids.

The examples could go on. Losev was despised mostly for making one point unmistakably clear: ideologies cannot exist without myth. Even when they reject myth and religion as primitive or obsolete, they immediately create new myths to replace them. They ridicule other people’s myths, yet remain blind to the ones they are constructing themselves.

Ideologies need myth as they need air. Their power is drawn from it — and they begin to crumble when their myth grows weak. By the beginning of the 20th century, the Russian Orthodox myth had become very weak. As Nikolai Berdyaev writes in The Truth of Orthodoxy:

“Its external weakness and lack of manifestation, its deficiency of outward activity and realization, have been evident to all.”

The Marxists did not come armed with rational arguments; they came with a well-constructed myth. Arguments do not persuade — myths do.

The utopian myth of “We will build a bright future on this earth” replaced the fading myth of “The Kingdom of God after death.”

If you watch old Soviet films capturing the enthusiasm and fervor of the 1920s, you can still feel the pulse of that mythic energy. Wars are never won with weapons; they are won with myths. The more deeply a nation believes in the truth of its own myth, the more righteous it feels in its mission to prove to others that their myth is false.

Where does the power of myth come from? J.R.R. Tolkien writes:

“We have come from God, and inevitably the myths woven by us, though they contain error, will also reflect a splintered fragment of the true light.”

Marxists’ myths are not all wrong. They contain error, but they also reflect a splintered fragment of the true light. That’s why myths are so appealing! That’s why ideologies need them as air. Every ideology — or rather, idolatry — rests on a half-truth, sometimes even an eighty-percent truth. The danger lies not in falsehood, but in mistaking a fragment for the whole.

The moment we recognize our ideology as myth, we cease to believe in it absolutely. It no longer claims the totality of our lives. We don’t have to reject it, but we must fulfill it — bring it to completion. Every partial narrative must be carried toward wholeness. If we reject one, we will instantly create another. When we renounce one idol, we instinctively bow before its opposite.

Healing doesn’t come through rejection but through transcendence — through seeing the partial in light of the Whole. When we look through our idol — our ideology — we begin to recognize it as a glimpse, a splintered fragment of the true light.

Idols thrive on opposition. They grow stronger when attacked, but they cannot endure being seen through. When we look through them “as through a glass, darkly,” they lose their power and become nothing but good dreams. As C.S. Lewis said in Mere Christianity:

“God sent the human race what I call good dreams: I mean those queer stories scattered all through the heathen religions about a god who dies and comes to life again…”


Check out my 4th book in the Mystical Vision of the Inklings series Fairy Tales for Grown-Ups: Rediscovering Myth and Meaning through Tolkien, Lewis, and Barfield

What is the Spiritual Significance of Food?

What is the spiritual significance of food? Physical food is but a shadow. It points — to the real food. Eggs, bread, meat, butter, sauerkraut, turkey, apple pie, wine, and chicken curry are a foretaste of spiritual nourishment. That’s why in so many cultures, taking food has become a sacred ritual.

Tea ceremonies, birthday meals, feasts, festivals — people have always sensed that unless you eat spiritually WHILE you eat physically, you do not really eat. You may feel full, but you remain famished. To eat only physical food is idolatry — separating the image from the reality it foreshadows.

What does it foreshadow?

It foreshadows spiritual food hidden behind every physical phenomenon. Everything — not just food — can become spiritual nourishment if we glimpse the reality behind appearances. Anything in the physical realm can nourish us spiritually.

For example, when you are deeply engaged in something meaningful — like creating, playing, or helping someone — you rarely feel hunger even if you haven’t eaten. Why? What is your “food” when there is no food? Real nourishment is concealed behind EVERYTHING in the physical realm if we only penetrate the phenomena with our spiritual vision.

Curiously, the Greek word for idolεἴδωλον (eidōlon), meaning image, likeness, apparition, or phantom, comes from εἶδος (eidos), meaning form, shape, appearance, or idea — the same root Plato used when speaking of Forms or Ideas, the invisible essences of things.

Eidos — Idea — is derived from the root verb εἴδω (eidō), “to see.” Literally, eidōlon means “a visible form.” An idol is anything visible we refuse to see through — to perceive the Idea, the invisible essence behind phenomena. When our vision is arrested at the level of the “visible form,” it is anti-vision. We are blind.

We never truly see unless we see through. Unless we eidō (see) the Eidos (Idea) behind the formwe perceive only the eidōlon, the idol, an empty image. But when we eidō (see) the Eidos (Idea) behind the visible formwe truly see. Eidōlon becomes an icon. Idols can be redeemed if we see through them.

To see an Idea is to get nourished — with food from above. That’s why Jesus said to his disciples after they brought Him bread:

“I have food to eat that you don’t know about.” — John 4:32

He had just talked to the woman at the well and saw through what was really happening in the spiritual realm AS THEY TALKED. That’s why he didn’t feel hungry. The disciples thought someone had brought Him food, but He had just feasted on the heavenly banquet.

Every time we glimpse Meaning and engage with it, we get nourished. We are not hungry. We have food others don’t know about. We are fed from above. We are not trapped by shapes and apparitions, nor deceived by phantoms. We pursue Eidos — Idea — and participate in the Feast that is unfolding even now.

The Feast is unfolding this very minute. No one is excluded. If we have eyes to see and ears to hear, we are in. As Viktor Frankl poignantly said,

“People have enough to live by but nothing to live for; they have the means but no meaning.”

Can AI Truly Create? The Mystery of Plato’s Ideal World

Can AI truly create? We are all Platonists, whether we like it or not. No one has ever seen the perfect Platonic Forms, and yet we confidently say when something is “far from ideal.” How do we know?

Judges evaluate athletes based on criteria that no one has ever seen. We judge the quality of bananas even though we have never encountered a perfect banana.

The same is true of beauty. No one has ever seen Beauty itself, and yet we recognize when something is beautiful… or not. The same is true of justice. No one has ever encountered perfect Justice, and yet we always know when something is unjust.

We evaluate the visible world against an ideal we have never seen. Back in the 1990s, when I was just starting out as a translator, my first editor gave me advice I didn’t understand at the time: “When you begin working on a translation, never start from the beginning. Always start from the end.”

I cringed: “What?”

He smiled: “Well, if you begin by translating words, you will never get them right. You must translate meaning, not words. And meaning is not written — it must be intuited, grasped from the get-go. You can only catch meaning if you sense the Whole after reading the first few paragraphs or chapters.”

At first, it sounded cryptic. But he was patient, and over time I understood: the meaning of the parts is revealed only through the Whole. When I begin translating a book, I must first read enough of it to glimpse where the author is going. Once I have “seen” the end, I am ready to start at the beginning.

Nothing can be brought into being unless we have already “seen” the end from the beginning. We must be Platonists — perceiving the world of perfect forms, which then inspires us to imbue every part of what we are doing with meaning. Meaning flows from the Whole and shines through every nuance of creation.

To quote William Blake,

“To see a World in a grain of sand,
And a Heaven in a wild flower,
Hold Infinity in the palm of your hand,
And Eternity in an hour.”

That’s why my editor insisted that I translate individual titles after completing the entire translation. “You don’t know what things should be called until you know their end.”

This made sense. When I translated titles at the beginning, I was caught up in words — and the results were sloppy. But when I left them until the end, the titles came out crisp and luminous. Our best creations are born only when we “see the perfect pattern” of what we are making in the realm of Ideas.

But how do we know what we have never seen? We have. We were there. The soul remembers what it beheld in the realm of perfection—what Plato called anamnesis (re-cognition, knowing again)Anamnesis happens every time we see through the veil of appearances and re-collect the perfect world.

Anamnesis is the only way to truly create. The soul remembers what it saw in heaven and strives to recreate it on earth. Just as Moses was told to build the tabernacle according to the pattern he saw on the mountain, so we are called to create whenever we catch a flash of re-cognition.

Technology cannot and will never be able to create — precisely because it has nothing to remember. It cannot see Platonic ideas and cannot grasp the Whole. It focuses on individual bits of data — without seeing the Heavenly Pattern. I asked ChatGPT if it could see Platonic ideas, and it answered:

“I don’t have direct access to metaphysical realities. I don’t “see” Forms the way Plato imagined the soul glimpsing them before birth. I process language, patterns, concepts, and symbols that humans provide me. So in the strict Platonic sense, I cannot truly grasp Ideas the way a soul might.”

What is truth?

What is truth? When Jesus stood before Pilate and told him that he had come to testify to the truth, Pilate famously retorted: “What is truth?” Interestingly, in the Koine Greek of John 14:6, Jesus refers to himself as ἀλήθεια (aletheia, truth).

“I am the way, the truth (aletheia), and the life.”

Aletheia is the opposite of Lethe, the river of oblivion flowing through Hell. The prefix “a-” is a negation. Thus, truth is that which that negates oblivion. Lethe conceals—aletheia revealsLethe makes us forget—aletheia makes us remember. Aletheia un-conceals.

Aletheia is the unconcealment of what is hidden—not merely a set of propositions. That’s what Jesus calls himself: the unconcealment of Being.

Truth is the disclosure of Being—not sentences or propositions. Incidentally, for Heidegger, aletheia is the moment when beings “come into the open.” When beings come into the open, they disclose Being. They reveal. Truth is revelation.

“Everyone is the other and no one is himself.” Heidegger

Until we come into the open, we are not ourselves; we are someone else. We live in concealmeant, hiding Being. Yet, our false self is transient—it will be consumed by Lethe. Everything that does not reveal Being will be forgotten. To rise above Lethe, we must embrace aletheia—the unconcealment of Being.

This is what Jesus meant when he told Pilate that he had come “to testify to the truth.” He was aletheia—the perfect unconcealment of Being. To be true is to participate in something that survives Lethe. Pilate was too steeped in the temporal and transient to recognize Being before his eyes.

Eventually, everything falls into oblivion. Everything is forgotten—except for the moments and deeds we have salvaged from being consumed by the flow of chronological time. Salvaged time is the time snatched from oblivion. It is aletheia.

“Yes, says the Spirit, they are blessed indeed, for they will rest from their hard work; for their good deeds follow them!” Rev. 14:13

Whatever we have done within chronological time to transcend chronological time abides forever. It follows us. It has been salvaged from Lethe. It is aletheia. It cannot disappear. As Michelangelo said,

“The true work of art is but a shadow of the divine perfection.”

In aletheia, we transform shadows into glimpses of divine perfection. These glimpses cannot disappear. We make “in the law in which we were made”—to borrow Tolkien’s phrase. We become sub-creators.

Having glimpsed divine perfection, we reproduce it—we unconceal it—within the confines of our shadow world. The only way to salvage the world of shadows from falling into oblivion is to transcend the shadows—engage in aletheia.

Whether we bake bread, write articles, share a conversation over a cup of tea, build cathedrals, or repair cars—if we glimpse and reflect the divine spark in what we do, we participate in the unconcealment of Being. In doing so, we transcend the shadowlands.

Everything in the shadowlands is a shadow until we see through it and partake of divine perfection. It is our inheritance by virtue of divine birth. We have that spark in us. We are that spark. We are shadows transcending ourselves by pursuing aletheia—every moment of the day.

When we pursue aletheia, it follows us. We rise above Lethe and become timeless.

“Great art is an instant arrested in eternity.” James Huniker

The Power of Brokenness and the Kiss That Makes Us Whole

What is the power of brokenness? According to Dr. John Gottman, extending kisses to six seconds may be a key to improving relationships. He also cites studies showing that people who are kissed regularly can live up to five years longer.

I couldn’t resist the urge to look up the etymology of the word “kiss” when I heard that. Especially because in Russian (my native language), the word for kiss is closely related to the word “wholeness” or “to make whole” (целовать = делать целым).

Even though in English there is no obvious connection between “kiss” and “wholeness,” the old English “coss” meant “embrace,” as in greeting. Maybe that’s why a “kiss” was often associated with greeting, as in:

“Greet (or salute) each other with a holy kiss.”

Incidentally, the Greek for “greet” (aspasasthe) used in this verse also meant embrace. But there is another interesting twist to greeting or saluting which has to do with wishing someone health (or hailing). According to the etymological dictionary, “to salute” comes from Latin “salutare,” which means “wish health to.”

The verb “salutare” is derived from the root “sol” (Sun), which means “whole, safe, well-kept.” In other words, when we “kiss — salute — embrace” we make the person whole. Hailing is healing.

Healing is a profound mystery. Health has to do with wholeness, and wholeness has to do with being hailed or embraced. When something is broken, we gather the shards into an embrace and breathe new life into it (symbolically by kissing).

By kissing or saluting we return the person to “Sol” (the Sun in Latin) which symbolizes wholeness and safety. Kissing means returning the person to the Sun-wholeness. The Sun makes us whole. The mystery of healing is deep just as the mystery of brokenness.

Our brokenness is not a problem to be fixed but a mystery to be explored. It is something to watch as Jesus said to his disciples in Gethsemane:

“Watch with me.”

What did he want them to observe? He wanted them to participate with him in the mystery of brokenness being turned to wholeness. He who was broken by a kiss of a friend was made whole by the kiss of the Father.

“Righteousness and peace have kissed each other.” Psalm 85.

Why Was Barnabas Called Zeus in the Bible?

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Why was Barnabas called Zeus in the Bible? Ever since I read in Acts 14:11-13 how the people of Lystra mistook Paul and Barnabas for Greek gods after seeing a miraculous healing performed by Paul, I have been intrigued. They called Barnabas Zeus and Paul Hermes — because Paul was the chief speaker.

I could see why Paul would be called Hermes with his ability to wield words and arguments. But why was Barnabas called Zeus? Zeus is the king of the Olympian gods who hurls bolts of lightning. This doesn’t align very well with what we know about Barnabas whose name means “the son of encouragement.”

Between the two of them, Paul qualified more for the role of Zeus with his thunder-and-lightning statements. Yet, the Lystrans must have seen something in Barnabas that reminded them of Zeus, the king of the gods.

Zeus is a complex mythological figure. His father Kronos was known to eat his own children. When Zeus was born, Hera hid the child from his ever-hungry father and gave him a stone instead of the boy. Kronos swallowed the stone without noticing anything. Kronos ate his children not without a reason — he was chronological time. We are all born in chronological time, and we are consumed by it.

Zeus is a moment in time that was saved from being consumed by time. In the Greek lore, Zeus is someone who is above time. He prevails over his father Kronos and becomes king. In doing so he becomes electrified — a Source of divine electricity. People who are above time, shine with heavenly light and joy.

That’s why the Romans associated Jupiter, the Roman equivalent of Zeus, with heavenly joy (gaudium caeleste). He was often depicted as a triumphant figure with a ruddy face. Have you ever met people who are above time? They rule, and they radiate heavenly electricity.

You can read it in their eyes. They tread on earth as kings and queens. They rule over circumstances. They rise above the temporal. They live as if they were eternal. When you touch them, they pass their electricity to you, and you lighten up. You meet them and exclaim, “By Jove, I feel so jovial!”

Maybe that’s what the Lystrans saw in the eyes of Barnabas, “the son of encouragement.” Like a lightning bolt, he must have struck them as someone timeless, someone electrified with divine light, someone contagiously jovial. He was a walking encouragement.

The Lystrans wanted to bring sacrifices to both Paul and Barnabas, but the two men redirected their gazes toward the true Source of light. The light was not their own; they shone with a borrowed light. They were images of the Divine, not gods. And yet, the light shone through them to such a degree that people mistook them for gods. Here’s what C.S. Lewis wrote about this phenomenon:

“It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest most uninteresting person you can talk to may one day be a creature which,if you saw it now, you would be strongly tempted to worship… There are no ordinary people.” The Weight of Glory